Tag Archives: heritage

Day 4, Newbury, New Bury or Newboroughy?

 

In the hope of sounding like a BBC community fundraiser, I’ll call Thursday ‘The Big Make’ . This update is brought to you by Sue Perkins, James Cordon and Flowella Benjamin. 

We started off deciding exactly which 6 interruptions we would try out with the public on Friday.

We knuckled down to:

‘Octopus’ – a development agency working with local think-tanks to find innovative ways to build more housing in Newboroughy. These include treehouse studios over burial plots, apartment blocks within roundabouts and the private renovation of a beloved heritage landmark.

Side note: We appropriated a Ferguson design for the roundabout idea, superimposing Lennox House into Robin Hood Roundabout. Lennox House was designed by John MacGregor- ‘The Artichoke’ in 1935. Built for London housing associations, it consists of 35 floats over a central atrium. Originally the atrium was to be a covered market that would subsidise the residential, but a planning law changed and it ended up having to be all housing. 

‘Location, Location, Location’ – audio installations giving estate agent tours of unique properties, including a sewer, an alleyway and a bin. 

‘House Sitting’ – an on street gameshow based on actual property prices where sitting tight earns you the big bucks.

‘Lego Legislation’ – a game where developers compete to pitch for land. 5 years is sped up to 5 minutes and that pesky legislation just keeps on changing!! (thanks to Liz Beth or LB Planning for all the help on this one)

‘NewBury’- Place-making meets Art Attack, a community co-creation task playing with the idea of a perfect town. We use chalk, building blocks and creative tech to play in an ever changing space.

‘Precarious and Proud’ a throne set up on the high street dedicated to celebrating those not-on-the-property-ladder, raising awareness about the lack of rent caps. People can have their photo taken on the throne and we hold an awards ceremony later in the day. 

It was a really long, but absolutely brilliant day of recording, writing, designing and making. The gang was absolutely terrific, it is so wonderful to have such  check team on this project. Everyone 100% reliable and pulling some brilliant stuff out of the bag. I won’t harp on, have a look at the pictures and I’lll update you on the public sharing next week. 

National Trust Archives

 

A few weeks ago I was lucky enough to meet with Darren Beatson, Senior Co-ordinator (Records and Archives) at the National Trust.

 

He gave me a huge amount of archive material related to Ferguson’s Gang, mainly photos of every page of ‘the boo’s’ – the gang’s notebooks- containing receipts for donations they gave to the National Trust, blow by blow breakdowns of gang rituals, reports of each stunt they undertook and press cuttings of the stunts, which give a brilliant selection of perspectives on each event.

We get a real insight into the playfulness of the gang. The code language used and the world they were playing in.

We’ll be using the boo’s as source material for making the show next week, but I thought I’d share a little here.

All images courtesy of National Trust. The originals are held at the Wiltshire and Swindon History Centre.

 

More to come soon….

 

‘The Mouse’

Heritage workshop

I have been working with Bristol Old Vic to devise outreach workshops engaging groups with the theatre’s history. The work is part of a Heritage Lottery Funded programme. We have started by prototyping workshops with family centres that are within walking distance and today we ran a session with St Paul’s Family Centre. The workshop was aimed at pre school (under 4) and their parents.

We wanted to engage people with the heritage of Bristol Old Vic so we wanted to play with the concept of Theatre- both as a building and a format- and history. History is particularly tricky with such young children as time is such an abstract concept. Essentially we played with ‘the olden days’ and ‘theatre’.

We used a variety of play tools and theatre practice in the workshop including role playing, imaginative play, loose parts within a context, craft, dressing up and investigating unusual objects.

We were fortunate to have been able to raid the BOV prop-store and started by inviting the children and parents to investigate and play with objects including an old fashioned phone, bones, candles, a toy trumpet and bellows. This allowed us to think about what the objects were or could be and how they relate to objects today. The phone was a big hit. The bellows proved fun as a movable contraption, also feeling the air. A father talked to us about the bellows he used as a child in Somalia- the size and shape of them and remarked that he hadn’t seen bellows for 27 years! He is going to Somalia soon and has offered to bring some back to the children’s centre so they can use them at the fire pit. It was a wonderful unexpected link into someone’s personal history. The toy trumpet and the telescope were utilised a lot and some children used all their senses to explore the objects. On our next visit we may explore the objects further and leading into stories inspired by them.

We played with the notions of a theatre set and costumes by creating environments with our bodies- the ocean today and then exploring a theatre model box. Using wooden blocks we created our own ‘theatre sets’ including a cafe, a mountain and a volcano!

We made tall hats to wear to the theatre and went on a walk to the Vic, being careful not to step in horse poo along the way! Once ‘inside the theatre’ we distributed tickets, bought sweets (and cockles and pigs trotters!); chose our seats and took turns on the stage. We had animal impressionists, singers, an orchestra, performing horses and dogs, string people and balancers. Great acts, and a brilliant reflection of the Bristol Old Vic programme in 1770! We all enjoyed giving rounds of applause, next time we might do some booing too!

It was reassuring to find that by using playwork and devised theatre tools in a specific context (in this case heritage) worked really well. The different context allowed excitement and wow factor and the embedded interactivity of the methods, plus the fluidity of exercises meant that we could respond quickly to individual needs while also holding the whole group. Next time we’re going to create more ‘stations’ to play in and enjoy revisiting the now familiar objects and format to deepen the exploration in ‘Ye Olde Vic’

Pictures to come soon…..

Developing ideas around play

I’m Malcolm of Mufti Games and I’ve created this blog to document observations and thinking I am doing around play.

I am currently a Leverhulme Art Scholar attached to Bristol Old Vic Ferment and I am concentrating on developing my practice around play in theatre and heritage settings. I’ll be writing about shows, events, exhibitions and everyday happenings that I see valuable to the play community. I’ll also note down musings I have about the state of play in our current climate.

I hope you enjoy what you read, please feel free to start a conversation below or get in touch with me directly.